Showing posts with label Inspiration. Show all posts
Showing posts with label Inspiration. Show all posts

Friday, September 23, 2011

OBJECTive Inspiration

I'll admit it... the other night I'd been watching parts of P.J. Hogan's Peter Pan movie.  Some bits are just so beautifully done. 

And while watching, I had a cool idea for a subsequent book of tales from the NeverWorld.  Which is great, but I'm in no short supply.  This one, however, seems like more than just a tidbit.  It has the potential to be very grand.  I haven't fully formed it but I can see how it would branch out and grow into something wonderful.

My favorite part of this idea is that the notion for it comes directly from Barrie.  (That's my favorite kind of inspiration when it comes to writing about Peter Pan!)  I began to wonder whatever happened to a certain object in the story... and that's when the spark ignited.  Needless to say, I know what became of it.  At least in my subsequent timeline of Barrie's world.  And like I said, I know it will turn into a powerful thing in the tale... I'm just not sure all that it entails or why it would be important or why the characters would need it... but then, that's where stories begin... with just the seeds.

I'll let it sit for now... as I don't have any immediate plans of returning to NeverWorld.  So it will have plenty of time to develop.

If you're dying to know what the object is... there are some hints in this post.  But otherwise I'll just say you would have think Wendy would have always kept it safe... And I'll just bet she did.  But that's not to say something couldn't have happened to it down the line...

Thursday, June 16, 2011

Floral Inspiration

The picture on the left is the current "wallpaper" for my phone.

It's a perfect pic to have as I am once again dealing with the fairies in Kensington Gardens.  Ever so reminds me of the way they might make their clothes.  [Although a la Barrie/Rackham and my own imaginings it seems they more so weave/crochet/sew such elements of Nature into garments rather than just use a tulip for a skirt... but who's to say they don't ever?  :) ]  It's just a darn cool photograph.

I found it on this page of photos taken at "just the right moment."  Do check it out, since they're all great!  I came across it in a retweet from Jason Alexander.  Yes, I'm still enjoying Twitter...

I can't say how long it will remain the pic on my phone.
I like to change it up every so often.

Also, as I re-read my interquel Peter Peter: Betwixt-and-Between yet again figuring out which pictures to make and taking advantage of the different look (font, page size format, etc.) to do another proof/revision... I found something that I think I'm going to have to expound upon in a future Pan adventure.  It's just too good of an idea not to let it show up again.  And that's not self-praise since the idea referred to is a direct outgrowth (pun noted) of a bit from Barrie.  No guarantees, but I do think it might happen in another novel.

Friday, January 14, 2011

Just Heard from the Neverland...

While listening to something reciting words from Peter and Wendy, you might say I'd been visited by a fairy.  By which I mean I'd been sprinkled with inspiration.  Oh, nothing major.  No, that's not sarcasm.  But a fun enough idea that I had to smile.  Using that particular passage, I'm going to add a bit to my interquel, Peter Pan: Bextwixt-and-Between.  It will be a wonderful enhancement toward the end of the book.  I plan to allude to Barrie's line without copying it, so as to preserve Barrie's novel being the first time it is heard.  Besides, reading through Barrie's text again I would not be able to have it be exactly the same event anyway.  So it won't even so much be a foreshadowing, as perhaps, to use a familial analogy, a 'cousin' to what Barrie wrote.  I also noticed a consistency with this same part in the storyline of Betwixt-and-Between but I cannot be sure if I may take credit for crafting it (as it might have come to me in a sprinkle like this inspiration.)

What is this mysterious passage?  I'll only tell you it's roughly in the middle of the story.  And that is the nearest you'll ever get to it.

Sunday, June 29, 2008

How I Work

Thought I’d explain a little about my process.

My novels do not come fully formed from my head like Athena from Zeus. And I wouldn’t want them to, as that would spoil the discoveries made along the way.

They start off as kernels, or sparks. A tidbit (a line, scenario, image, etc) that seems interesting to me. When I do get an idea, I make sure to write it down. I usually just let it be for a while. For either I am already working on something else or I let the seed get nurtured…that whole metaphor. I peruse the notes every so often. I let them stay in my mind, watering them with some “what ifs” or maybe a “hey that idea fits in here, too.” By the time I finish what I’m currently working on, I have a pretty solid idea of what to work on next. Sometimes, though, it’s like Jack’s Beanstalk and growing out of control. I’ve actually had to put a novel on hold in mid-completion because the character’s plight would not leave me alone. Or rather the character would not leave me alone. They can be quite “loud.”

A little of Asimov’s advice and a lot thinking gives me a Malleable Outline. A Malleable Outline has room for expansion, changes or cuts. A number of elements remain fixed, of course. But often I will not leave nothing to the imagination. I find that writing is a collaborative experience. Between the Inspiration, the Characters and the Author. Some totally grok that I “hear” from characters, others just nod and smile. No, no voices. But I do listen. They often interject tidbits or plot points that are entirely “news” to me. I reassess the story and write accordingly.

Generally, I write out of sequence. As long as the pillars of the MO are in place, I’m free to zero in on the parts that particularly excite me. Parts that I’m most passionate about or can’t wait to “see.” I’ll end up with larger chunks that can be easily bridged. And along the way I’ve incorporated new ideas and influences into a better whole. As I stated before, lately my choices have been pieces which would behoove me to write in chronological order. It depends on the work, of course. So I’m not locked into a method. As I say, it’s malleable.

I revise as I go. I backtrack, reading the last 5-10 pages (usually in transit) and make revisions. I’ll then write more. When next at a computer I make the changes. I make alterations to my changes as well as the new material as I type them . At certain points (nothing regimented, just as I feel necessary) I will read through what I have so far of the book. Getting back in touch with it as whole, rather than a series of specific scenes. The process repeats to completion.

Despite the old adage that one should, I do not necessarily write every day. Sometimes I need to “work out” a scene and want to let it stir. Spurts, maybe? There are stretches where I do write every day. It just depends on the piece. Since I’ve been blessed recently with no shortage of ideas, I am content to let the stories unfold as the characters share them with me.

Gotta go...I think I hear Andy calling...

Friday, May 30, 2008

Sparks in the Night

Inspiration struck while out on a stroll to return a movie rental. Suddenly I knew the title for that novel idea I spoke of before. I also have some scenarios and scenes worked out for it. Too bad it will be on the shelf for a while. Another spark gave me the solution to my current book's dilemma. Who knew returning a DVD at night would draw out so much from the inkwell? In case you're wondering, I returned The Sasquatch Gang.

Wednesday, March 12, 2008

Stranger Than Fiction

Nearly six months before the release of this movie, a friend sent me a link to the trailer. She knew it would be more than to my liking, since she (and many others) have heard me express the mildly insane belief that I merely take dictation from characters. If you are a writer and have not seen this movie, shame on you! Take that with a grain of salt, but do see the movie. So charmed by the trailer, I attended opening day. Needless to say, I loved the film. It’s a delightful spin on the strange process of writing.

Upon second viewing, I had a moment of dismay. There seemed to be a plot hole. I’ll keep this as spoiler free as possible for those who have not seen it. But those who have should know exactly the moment I mean. When 'character' Harold Crick rushes to make his all-important phone call, it does not make sense within author Karen Eiffel’s Death and Taxes. Who is Harold rushing to call in that novel as she’s writing it? Fortunately, I had a good laugh as I realized the answer. Rather than being a flaw in the design of the film, this incident strengthens the entire premise. To me it represents a phenomenon that many (hopefully all) authors experience – when a character temporarily takes the reigns of the story and there is no choice but to see how it plays out. Often I find “character input” is better than what I had originally planned.

Call the collaboration between character and author Insanity or call it Inspiration. Either way, this is a wonderfully wacky, inspired film.

Bravo to writer Zach Helm!