
Now I can move on to the major revisions, the kind that will alter the story structure a bit. Actually, I have already tackled some of these changes along the way. While editing and looking right at a part that is known to be getting an overhaul, it only made sense to plink away at it then. I imagine the minor changes would have gone much more quickly if I didn’t fiddle around with the story aspect as I went along, too. Plus, I had already redone two chief chunks of the tale before handling the little bits.
At any rate, I can already see that it shall be (and is) a much better novel than it had been at first draft. I’d be worried if that were not true! I even managed to strengthen some ties between Barrie’s two books. Anon had wondered why I didn’t include one of Peter Pan’s skills in the mix. I hadn’t wanted to make a one-for-one back history. After all, at least some parts had to

So all in all, it’s shaping up. Soon enough it will be off to Andrea Jones, author of Hook & Jill. Even though there is no actual appearance of Captain Hook in this tale, she has agreed to take a look at it anyway. (Yes, that's meant as a tongue-in-cheek comment.) What luck to have access to such an esteemed Barrie enthusiast.
Thanks Anon, Andrea, and any who want to read this book!
2 comments:
That mix of fonts and colors and other effects for the blurb... is a bit much. My unsolicited advice: pick no more than two fonts (one of them plain), no more than three colors (one of them used only as a highlight), and one texture (at most).
Thanks for the suggestion. But that's just something I did for a lark - in between (ha!) writing sessions as I recall - to post here. I doubt it would be used for any actual 'promotion.' I'll more than likely be using that tagline, though. But your advice certainly makes sense and is appreciated. :)
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