Saturday, July 13, 2013

Revising MySELF & My Work...



What have I been up to?
Lots, actually.

I’ve been rather busy in both the areas of pleasure and work.

First off, I suppose I should talk about the drawing here.  Obviously it’s just the ‘cartoon’ of me from up on the left tweaked to reflect my new haircut.  I didn't seem know what to do with it these days, and I’d been letting it grow out.  A few months back the joy of it became a chore and -sinp- cut.  I'd rekindled my passion for hats.  Since then, I’ve made a new friend, Darling.   He suggested I go shorter.  As I said, I didn’t have any particular way I wanted my hair to go at this point, so I ventured.  I like it. I don't use the hats anymore, at least not right now.   I’ll change the upper left picture eventually.

So some of my time is filled hanging out with Darling, and that, coupled with the general wonder, events and surprises one encounters in Life accounts for the pleasure I spoke about.

On the “work” side I re-read two of my novels.  Is that work?  Sure, when your intention is polishing and revising.  A bittersweet sort of work.  I of course, then, needed the queries to go with them.  One never knows and it’s easy to get too close to it, but I feel them to be solid.  Many approaches, angles and the like.  Special thanks to Doodles who took an axe to one of them.  So much better!   And so, I am now ready begin the grueling process yet one more time.  I already have, in fact.  Did the required homework and I’ll be submitting any day now.

I’ve also been working on, for a lack of a better term, a special edition of Peter Pan’s NeverWorld.  It will include annotations, other artwork & more.  It’s often on the backburner.  But I do return to it.  Right now I’m focused on the querying.

And in the category that’s a little of Column A & a little of Column B, Darling and I had become mildly obsessed  for a time with “Princess Alice” – a character from a serious psychological study by Jesse Bering.  It’s designed to examine how children’s behavior is affected by an invisible person watching over them. The Princess Alice Effect shows that children are less likely to cheat when they believe in an invisible figure looming over them.  There's more to the study than that, as it also explores  at what age and how  complex cognitive processes form.

Anyway, given my penchant to wonder and immerse myself, Darling and I have been pontificating about the nature of the character.  We enjoy over-analyzing the sparse information we have about Princess Alice, trying to glean the nuances of her psyche, powers and the like.  It also yields deep probing into the nature of reality.  Please understand that it’s all for amusement and yet we mean no disrespect to Bering, his work or the study.  On the contrary, we were rather taken with it, hence our desire to expand & create with it. Darling’s lightly considering composing a piece inspired by Princess Alice and I hope to write out the notes and ideas we have as an essay, with the citation/justification for the claims of her highness.  Maybe one day for both projects!

After all, the chatter of other characters is never (thankfully!) turned off.  Always plunking away at the other books in my head, too… more tales of the NeverWorld and other books’ sequels.  I’m leaning toward one in particular.  In fact, it would be book three of the very book I’ll be submitting.  I found some writing scraps lost in the shuffle and it rather got me thinking…

By the way, here’s a link to how the study appeared on Through the Wormhole with Morgan Freeman.

Tuesday, June 11, 2013

A Super Detail

Truth is I've had my FILL of superhero movies.

However, I'm going to go see Man of Steel, but ONLY because I want to see how it's handled given the intentions of the film. By which I mean: It's a just a Superman movie. Don't ask if it relates to the other versions - it doesn't. It's not really based any you already know. Don't expect a flat-out & full origin story, a la a reboot. It's a different take in that his secret identity is Superman, not Clark Kent. (Think about it. He's been brought up/taught not to use his powers. They're too dangerous/conspicuous/etc. Thus, he has a difficult time adjusting to everyone's "love"/appreciation of his powers. Nice way to make him vulnerable, no?) Also because of the horrendous, insipid, lousy and incomprehensibly bad Superman Returns, I want to see this character redeemed, as the filmmakers also reportedly set out to accomplish. I'm cheering for them to do it. He may be lackluster in my eyes, but this famed character deserves better. Otherwise I could not care less about him or any other superhero. (The only exception is Thor.  I still want/need Norse myth on-screen, even if it is the Marvel version. Thus, I'm looking forward to Thor: The Dark World)

Anyway, as the 'Man of Steel' is popping up everywhere now, a query popped up in my mind. It's a very simple question, but it causes a great deal of trouble to the logistics of the mythos.

How does Superman/Clark get his hair cut, nails trimmed, etc.?
Technically he can't. He's invulnerable. Bullets bounce off and knives curl on his body. So how is it ever possible to groom himself? Oops.


It's a minor detail, yes. But it's always in the details.
Storytellers must and should and cannot ignore them by any means.

Sunday, May 19, 2013

Scooby DONE, It Again!



I’ve expressed before how delighted I am with the latest incarnation of Scooby Doo, Mystery Incorporated.  Now has come the time to report on it once again.  For it ended!  And what a treat.  I’ll explain.

The show’s return surprised me.  TiVo of course knew it would be on and voila, it appeared.  Then another, every day thereafter for a while.  I noticed two things.  Perhaps you recall that one of the great strides this version takes is the introduction of an overlying story, an arc that plays out amid the standard type of episode we expect from a Scooby Doo show.  Well, the overall story being told seemed to be drawing to a close.  I would have been quite surprised if it didn’t.  Everything in it all pointed toward the last episode being nigh.  Especially due to the other bit I noticed.  The Chapter number.  Chapter 50 proved not far away.  And then it came, but we did not get to the end.  You know how it is - expanding the climax to greater glory, and then the denouement.  

 I’d talked to my best friend Laughter about it.  He’d not been able to follow the show, but liked it very much.  High praise, believe you me.  So I told him that it appeared to be ending.  He liked the idea of it resolving, but felt sad that there wouldn’t be anymore.  For I wound up making that clear.  It wouldn't just end… it aimed to end the whole thing.  The Scooby Doo story, over.  Or it seemed it would, at the very least.  The reply, paraphrased, “No more shows???  But it’s so good!”  I said how I wouldn’t WANT more.  I love Finite Cartoons and it just wouldn’t feel right because I’d expected a great shebang closing.


Well, it turns out that I’d been mostly right.  50 seemed the logical choice of episodes, but then, 52 cards in a deck is more like a clue.  Not of anything in particular, just for the fun sake.  52 episodes it turned out to be.   And what a triumph!  A fantastic bit of storytelling.  It had so much to love – from callbacks to other episodes, to pathos, to exciting and gut-wrenching scenes, the perfect use of “Scooby Doo!  Where are you!?” and parts that made you watch in horror because you never thought you’d see it happen.  I really liked it, can you tell?  And then we get to the end. I’d been right.  It’s difficult to explain without ruining it, but the whole premise of the Scooby Doo programs is no longer valid.  The larger mystery of it all is solved.  In fact, I cheered as Fred actually said, “Okay gang, let’s solve this Uber Mystery!”  But guess what.  The writers proved themselves one last time.  In an unexpected maneuver of plot that calls back to what drew me into this version in the first place, they set up a sequel.  Don’t roll your eyes.  The new premise, a callback itself, is one that I cannot wait to see.  Bring it on, Mystery Inc.!

Monday, May 13, 2013

Twice Upon a Barrie-Land

There's more to report about how the TV series Once Upon a Time is handling the most famous work of Sir J.M. Barrie.  This post has spoilers, so be warned.  The first post is here.

This episode is a direct extension of the previous.  Its title completes the "directions to the Neverland."  I have that in quotes for two reasons: 1) they're using Disney's addition of the word "star" 2) they're not really the correct directions anyway.  At any rate, Second Star to the Right led into And Straight in 'Til Morning.  [There should be a "then" in there, without the apostrophed "till" but who's counting? ;) ]

Here's what we discover:
We do see the island, sort of, for we finally reach its shore.   In fact, as you can see, it's also the fantasy element shown this time amid the woods in the opening.  Okay, remember the character I'd mentioned who went in place of a Darling boy and fell into the ocean when struggling with the Shadow/Pan?  And I'd thought he'd be a pirate, then?  Well, he won't be.  You see, the boy pieces together that Hook is responsible for taking his mother away back in the land he came from and therefore wants nothing to do with the captain.  A little more on this kid in a bit.

We also see "The Lost Ones."  They've dropped the word "boys" for "ones."  I like it, for it makes it more intimidating.  And that's definitely the vibe they're going for here.  Besides that, they've got them in their early teens, if not teenagers.  So they're not exactly mere boys.  Oh - at least for now they do not fly.  They approach by ship.  The Lost Ones have a reputation in this world.  You don't want them to show up, they're feared.  They pester Hook because they think he's harboring the boy that fell into the ocean.  At the time he is, but hides the boy from them.  Smee (introduced into the show before Hook, for the record) expresses his concern about having any dealings with the kid.  He says, "What if the boy belongs to him?"  And the way he says it invokes a capital H.  "He'll be looking for us.  He knows this land better than we do."  Interesting, no?  Who could he be talking about?  I knew right away.  I bet you do, too.

Moving on, from what we have to gather, the infamous immortal boy of the island is not in fact just that truly scary Shadow from the other episode.  The Lost Ones tell Hook that He will rip your shadow from you as a punishment and it is reportedly very painful.  So it would seem the Shadow goes and fetches for a real boy, the leader of the Lost Ones.  But where is the real evidence?

Right around the bend.  Okay, the boy from the other world escapes Hook and is found washed ashore by the Lost Ones.  They examine him, but apparently He is looking for a particular boy.  It turns out he's not the boy they need.  One asks if they will ever find him.  Another replies, "Of course we will.  It make take time, but Peter Pan never fails."  Ah!  He does exist by that name!  And he's looking for none other than the main boy character from the series, of course.

To add more spice to this spooky spin, on their way to the Neverland via a portal (which they could only open with Hook's help!), Rumpelstiltskin says they (the other characters) have no idea who they're dealing with...and when is asked "Who's that?" the response is "Someone we all should fear."  Think about that for a second.  This is the Dark One saying to fear!  Granted, Rumplestiltskin has mellowed out a bit given his time as Mr. Gold in Storybrooke, and his literal (pun noted) relation to the other characters by blood and escapades - but he is still to be feared in his own right.  And yet, he's warning them.  Truth is the previous paragraph's events take place after this one's.  Know what that means?  He's talking about Peter Pan!

And so it seems that Peter Pan, in a new and twisted incarnation, will be the "Big Bad" for at least part of the next season.  For this had been the finale, and we are left hanging with the characters on their way to rescue the main character boy from his clutches.  I, for one, am very curious how they'll handle and depict Pan.  I bet it will be delightful.  Too bad we'll have to wait until the Fall!


Sound the Buzzer, Not a Bell

I captured this bit of reality a significant while ago now when I'd been out with Buttercup.  I think it's easy enough to figure out where, given what can be seen in the photo edges.

Note that Barrie's most famous fairy is listed among other great literary characters.

It's also spelled wrong.  It's two words.

Oops.

Friday, May 10, 2013

Pan & the Pyramid

Jeopardy! isn't the only game show that likes to mention Peter Pan!
Here he is on the original PYRAMIDs.







But Pan's been around a good long while - and the new PYRAMID has him at the apex, too.
 
[I stopped watching the new one, though.  It's just not the same.  Maybe it's because it needs Dick Clark?]






Thursday, May 9, 2013

A "Charmed Digit" [3] over 150!

Today is the
153 Anniversary
of the birth
of Sir J.M. Barrie.

Truly, what else can I say?
I certainly hope I've done him proud.


All hail the
modern mythmaker!

Thank you, Sir!